The Music of Painting

The Striped Blouse, Edouard Vuillard

"Who speaks of art speaks of poetry. There is no art without a poetic aim. There is a species of emotion particular to painting. There is an effect that results from a certain arrangement of colors, of lights, of shadows, etc. It is this that one calls the music of painting."--Vuillard, Jan. 1894

Coax the Soul

Scottish Rose, Susan Giannantonio

"The work of art is to help to coax the soul of the nation back to life."--Gutzon Borglum, sculptor, Mount Rushmore and other major work

Look Back, Paint Forward

Old Willow sketch, Susan Giannantonio

A trailblazing group of artists in Canada in the early 1900's struck out to the Canadian countryside and, after years of study and practice of sound academic painting and drawing, began to experiment with broken color, dots and dashes, underpainting, and alla prima. In an essay about these artists called The Story of the Group of Seven, Lawren Harris wrote, "When we focus our own seeing through our own creative activity and conviction, we are working from the inside, with the creative spirit itself; then the arts of the past and of other peoples become immediate, alive, and luminous to us."

Art's Unlimited Source

Pansies, oil on canvas, Richard Schmid

In one of my favorite "how to paint" books Alla Prima, Everything I Know About Painting, master painter and one of my very favorite artists Richard Schmid says, "Somewhere within all of us there is a wordless center, a part of us that hopes to be immortal in some way, a part that has remained unchanged since we were children, the source of our strength and compassion. This faint confluence of tangible and the spiritual is where Art comes from. It has no known limits, and once you tap into it you will realize what truly rich choices you have." For a glimpse of his creative genius, check out a 5 minute YouTube video of Richard finishing a painting: click here.

Beyond Precious

Whispering Call, 4 x 5' acrylic and collage on canvas, Mary Wilbanks

One of the messages that rings true about Mary Wilbanks' artistic journey, consistent both in her work and her instruction, is that sometimes we need to let go of what is too precious for the sake of the larger composition. Her paintings are rich in texture. The passages pull you in, compelling you to more carefully investigate. In the book Bird by Bird, author Anne Lamott tells us, "Go ahead and make big scrawls and mistakes. Use up lots of paper. Perfectionism is a mean, frozen form of idealism, while messes are the artist's true friend."

Go to the Masters

The Red Canoe, 13 3/4 x 20" watercolor, 1889, Winslow Homer
(sold at Sotheby's in 1999 for $4,842,500 and prior to that, in 1983 for $260,000!)

In the book Writing Down the Bones, Natalie Goldberg tells us "if you read good books, when you write, good books will come out of you. Maybe it's not quite that easy, but if you want to learn something, go to the source." That is my philosophy on painting as well. Those artists whose artwork draws me to it again and again have so much to teach. I never tire of pouring over the beautiful passages, hoping to figure out how to convey some of the magic in my own work. --SG

Chromatic Parallel

Vincent's Violins, Susan Giannantonio

"Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul." Wassily Kandinsky